The 70s fashion style can also easily be referred to as the ‘hippie’ look, where women leave their hair long and straight and add an adorable little flower or stem of flowers to create a natural finish. Their wardrobe will undoubtedly have the classic super-flared jeans and tons of tie-dye tops and accessories, as well as simple white tees to go with their look. Floral patterns are also common in this fashion style and makeup is minimal to maintain a simple and natural appearance.
Fill in the legs. The legs should be the longest part of the body, the length of about four heads. The legs are also portioned into two pieces, the thighs (from the bottom of the pelvic box to the top of knees) and calves (from the bottom of knees to beginning of ankles). Keep in mind that fashion illustrators usually exaggerate the model's height by making her legs longer than her torso
A new generation of illustrators has popped up over the past few years with the rise of blogging and social media, and many have those platforms to thank for their success in a field that has evolved significantly since its inception. Traditionally, a fashion illustrator might have found employment capturing runway looks in real time for a magazine or newspaper (because photographers weren't allowed), working at a design house, or perhaps creating a stylized illustration for a magazine cover or editorial (which still happens, though much less frequently).
Sure, it’s a green dress, but is it silk, tulle, or a heavy woven material? The way it’s drawn, the way it drapes around a figure, and even the way it’s colored or painted should give the viewer an idea of the sort of textile being depicted. At the very least, I want to understand what a garment may feel like when worn. If I’m being sold clothing from an illustration, for instance, I should be able to figure out if the clothing is warm and cozy or light and breezy. You’ll want to viewer to understand if the textile is smooth and soft or stiff and itchy.
A picture tells a thousand stories and considering the noise that surrounds the launch of every issue of Vogue - endless hashtags and chatter about the cover model, photographer and pose, it seems inconceivable that covers in the past featured fashion illustrations elaborating far more detailed stories. The romance of images by John Ward and Carl Erickson, surrealism of Dali and Benito, and art deco of Bernard Boutet de Monvel, Georges Barbier and Harriet Meserole spun tales of arctic explorers; tennis players; bridal marches; world travellers; golfers; race drivers, actresses, mothers and lovers. In the days before photography became fashion’s key documenter, fashion illustration was just as emotive and colourful - if not more so - as the images burned onto our retinas more recently by Penn, Bailey, Day, Meisel and Mert & Marcus. Call to mind the images created by Rene Gruau as Dior’s artistic director in 1947 - there is no doubt as to the part illustration used to play in fashion storytelling.
The hats Roy Frowick created in his spare time became his entrée into the world of high fashion. After garnering some publicity for his designs in a Chicago newspaper, he was able to open his first boutique in 1957. Around this time, he dropped his first and last names, opting for a more glamorous moniker that has became synonymous with American glamour…Halston.
Consider, for full-bodied pieces, what sort of stories can be told with the addition of accessories. Imagine drawing a beautiful, historical queen. What sort of accessories would she wear? Crown, jewelry, fancy shoes, and a scepter, perhaps. You can tell a story of decadence the more accessories you add, or of simplicity by only featuring a small bracelet or simple necklace within a design.
After working for renowned fashion house Nino Cerruti, he branched out on his own, delivering his first women’s wear collection in 1974. Armani’s designs were always influenced by menswear, and his immaculate tailoring and cutting gave his pieces a timeless air. He is famous for his deconstructed jackets, which feature a softer shoulder and a longer line.
Known as the prince of Prints, the fashion designer Emilio Pucci got known for his tight shantung “Pucci pants” and vividly printed silk dresses and blouses. His colorful, informal uniforms for Braniff flight attendants were groundbreaking. Later, Pucci branched into men’s fashions, perfume, and ceramics. He also served as a member of the Italian Parliament. His color trends and designs are one of KOKET’s most lovable inspirations.
“Fashion illustration can’t be retouched and there is certainly an appeal in that,” says Brett Croft, head of the Vogue House archive. “There is definitely a younger generation of illustrator coming through,” he adds. “It’s to do with Edward of course, but it’s also part of a movement towards more simple artforms which was very obvious at Frieze this year. Last year was all about video and this year there seemed to be a reaction away from that. I think there is an appeal in the fact it can’t be hyper real. It just is what it is - there’s a simplicity to it that is refreshing.”
Known for balancing modern designs with traditional elegance, Vera Wang is arguably the most prominent designer of bridal wear in America. Wang introduced her first bridal collection in 1990 after fifteen years editing at Vogue and a two designing for Ralph Lauren. After spending more than a decade dressing countless stars for weddings and red carpets in her ultra-elegant, custom-made gowns (even publishing a book in 2001, “Vera Wang on Weddings”), it was a natural progression for Wang to introduce ready-to-wear in 2004.
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After working for Dior, Schiaparelli and Paquin, Pierre Cardin opened his fashion house in 1947. Initially designing costumes for stage productions, he launched his first women’s couture collection in 1953 and women’s ready-to-wear in 1959. Cardin’s company grew into an empire starting in the 1960s when he began licensing his name to a wide array of products outside of clothing.
Being way more than a famous shoe designer, Manolo Blahnik is the man who can single-handedly make a woman feel instantly sexy with his ultra sophisticated, wildly fun high heel shoes. Becoming a household name through shows like Sex and the City and his never ending list of celebrity endorsements, Manolo Blahnik has become one of the most influential shoe designers of our time. Unfortunately it is known in fashion circles that when Blahnik dies there will be no more Manolos. There is no protégé or heir and no desire from the great designer to have the label continue without him.