It’s not always apparent if you’re looking at a stylized fashion figure that the artist is at their best when working from anatomically correct proportions. Knowing how to correctly draw a body allows for a variety of freedom when drawing figures and correctly drawing clothing. So whether you’re drawing from photographic reference or from life, you’ll be prepared with knowledge of the shape and proportions of what may not be visible when drawing clothed figures.
Much like showing the texture, weight, and limits of movement within a textile, being able to render various objects so the viewer understands what they’re comprised of not only helps communicate concept design and storytelling within a fashion illustration, but also allows the viewer to better connect with what’s been drawn as being analogous to a real-world object or familiar material.
Additionally, hair can be a main focal point of a fashion illustration. If the story of the illustration is to depict a hairstyle or show off various hair accessories, the hair may be what drives the composition of the piece or even holds all of the action within it as a dress in a larger, full-body illustration would. Many of the tips for clothing apply for hair as well: form, texture, composition, movement, and style are all relevant points when featuring a hairstyle within your fashion illustration.
Español: dibujar figurines de moda, Português: Desenhar Croquis de Moda, Italiano: Disegnare un Figurino di Moda, Русский: рисовать модные эскизы, Deutsch: Eine Modezeichnung entwerfen, 中文: 画时装草图, Français: dessiner des croquis de mode, Bahasa Indonesia: Menggambar Sketsa Mode, Čeština: Jak kreslit módní návrhy, Nederlands: Modetekeningen maken, العربية: الرسم التخطيطي للأزياء, हिन्दी: फैशन स्केचेज़ (fashion sketches) ड्रा करें, 日本語: デザイン画を描く
Include labels if necessary. You are primarily emphasizing visual design elements and obviously your main communication is through that work. However, if you want to label your creative investigations or each of the stages in a project to make it clear how you progressed, then do so. Just make sure that the label is neat and placed so that it is not covering anything important.
Tom Ford studied design at the before he worked for Perry Ellis andCathy Hardwick. Tom was hired in 1990 to oversee Gucci’s women’s wear collections, and had a breakthrough four years later when he was appointed creative director. The Gucci makeover masterminded by Ford was the biggest fashion success story of the late 90s. His sultry rock-star velvet hip-slung trousers, leather stilettos, and Halston-esque dresses were blockbusters. After Gucci’s buyout of Yves Saint Laurent in 1999, Ford also became creative director of YSL Rive Gauche. In 2005, Ford launched the Tom Ford brand.
Come up with an organizing principle. Whatever you do, you should probably try to keep different parts of one project together as much as possible. So, for example, if you explored organic structures like feathers and leaves for one project and tribal or folk art for another, try to keep the various parts of those projects together. Ultimately, you need an organizational principle because you'll have to choose how you want to present those projects.
A New-Delhi based stylist and was the first one to lead Jean-Louis Scherrer, a French-Fashion-Brand. Her collection is matchless! Her designs have drawn attention in Mumbai, Delhi, USA, London, Bangalore and Paris. It was 1987, that she did ‘er graduation from Delhi-University & then joined fashion-industry. In1990, Ritu started her distinguished career by launching her clothing-line named “Lavanya” that was a big hit! She signed up the National-Institute-Of-Fashion-Technology in 1988 that is linked to Fashion-Institue-Of-Technology in newyork.
Arty as the names suggest, invokes the independent creativity of the person. These are usually the ones who want to make a statement of their own by the clothes they wear. Most of the times, they are the creators of their own fashion style. They do not follow the traditional norms and make the path for themselves. The unconventional for of art leads to innovating very many interesting forms of trends which are not restricted by the usual textbook nature of creating fashion.
This is where fashion illustration may collide a bit with editorial illustration. Perhaps you’d like to illustrate the figure walking down a runway or through a busy city. Allowing a simple background into your work may help viewers understand the context for where or when a design is worn. Please note, however, that if a background is busy, it may overwhelm the fashion design itself.
A vibrant fashion style is reserved for the lady who wants to say “Hey, look at ME, world!” This energetic and intense fashion style typically features garments with wild patterns and exaggerated embroidery as well as asymmetrical designs and tons of colors. Most of her wardrobe will be lined with super light and pastel colors that draw the attention of everyone’s eyes, no matter where it’s worn.