Ling agrees. “Illustration has always been outside the contemporary art structure,” he says. “Some call it second rate and of course there is validity to that in some cases - but the art industry has long been a construct of vested interests so talent hasn’t always necessarily been able to get through. Now Instagram is democratising art, but it's also populist - and in that context people have had careers they wouldn't have otherwise had. But there is no doubt it’s working for the audience - people are certainly buying more and illustrators tend to work with designers on collaborations which photographers rarely do. There’s just an additional collectible appeal.”
A mother-of-four, Downie clearly has a knack for “accidental” success having initially touched upon the fashion scene via a short stint making jewellery at her kitchen table which was selling at hip Covent Garden store Koh Samui in the late Nineties - before “one day I was cooking fishfinger sandwiches and [Net-A-Porter.com founder] Natalie Massenet calls up to ask if she can buy some for this new online thing she was doing”. Whether professionally trained or not, she’s keen that fashion illustrators are worthy of being called artists regardless of their status in relation to photographers. Certainly her own work is now bought by collectors all over the world at prices akin to fine art, regardless of what her subjects are depicted wearing. Citing the work of her Gucci collaborator Ignaci, as well as that of Kelly Brennan and Jill Button, “it crosses the line of design and fine art”, she says. “Whatever that umbrella term can be called. It shouldn’t be relegated to just fashion illustration.”
Surface designs are often a big deal in fashion. They can make simple pieces more interesting and even be a focal point within an illustration. There are only so many silky dresses that will go down a runway before patterns start popping. Being able to really show off a Moschino show in illustrated form would be nothing without being able to showcase the patterns created for their garments.
Shortly thereafter, he began to work closely with Christian Dior, who was nearing the end of his life. Dior recognized the skill and creativity of his young protégé, and he chose him as his successor. When Dior died of a heart attack, Saint Laurent found himself holding the reins of one of France’s most venerable fashion houses: he was only 21 years of age.
If the artist has created a metallic dress and they mean for it to be made of metal versus just being gold or silver in color, they’ll need to really showcase the reflective properties of that material (as well as construct it within the limits of a metal object) so the viewer understands that it’s not just paint that’s making something look gold, but rather gold itself being depicted.
Jean-Paul Gaultier is a French fashion designer born on 1952 in Val-de-Marne, France. At age 18, he joined the house of Pierre Cardin before moving on to Jacques Esterel and Patou. The appearance of Gaultier’s collection was in 1976, but his own design house was only launched on 1982. Jean Paul Gaultier‘s sensual, irreverent style continually challenges stereotypical femininity, ignoring traditional gender roles by embracing androgyny and the freedom of sexuality. His style is known to challenge standard views of fashion.
Much like showing the texture, weight, and limits of movement within a textile, being able to render various objects so the viewer understands what they’re comprised of not only helps communicate concept design and storytelling within a fashion illustration, but also allows the viewer to better connect with what’s been drawn as being analogous to a real-world object or familiar material.
Very interesting list but I am surprised that Paul Poriet is not on this list. He revolutionized and created the modern fashion industry. Although in the end he could not survive in the industry he created his impact is huge. He was the first in many areas including freeing woman from corsets, using live models, creating a signature perfume, making an entire lifestyle brand, and modern marketing.
Ralph Lauren is worth $7.5 billion, and he got it all because of his fashion sense. In 1970, the first Polo logo was seen in Lauren’s line of women’s suits that was designed in the classic men’s style. Two years later, the famous short sleeve shirt with the Polo emblem appeared, and it soon became a classic. These shirts have been collected by men all over the world ever since. Lauren, on the other hand, has been collecting rare and classic cars. The collection is so unique that it has been featured in the Boston Museum of Fine Arts.
Women who enjoy the artsy style tend to stay away from the traditional ‘trends’ of the fashion world and love to make a statement with their clothing. Oftentimes they will be the creator of their own fashions, designing and creating their own blouses, hats, and jackets. Each artsy style will be different per woman, as everyone has their own idea of what ‘art’ truly is. That’s what makes this particular fashion style so unconventional and interesting.